Can you start by introducing yourself and sharing your journey as a tattoo artist?
I was always an active child. I practiced karate for eight/nine years, learned Latin dances, and did breakdancing alongside school. When financial difficulties forced me to stop everything in high school, I felt a deep void. I grew up during the Nu-Metal era, which introduced new music, fashion, and thinking styles. It was a generation questioning superficiality, wars, and oppression. Music has always greatly impacted me, leading me to explore art. Few people know, but I did graffiti for many years! I wanted to attend art school, but my family discouraged me, saying it wasn’t a real profession. I eventually studied electrotechnics, but life guided me back to art. I wanted to create a small world where I could hide, and the rest is history.

Your style is very unique – surrealistic blackwork with dark accents. How would you describe it, and what inspired you to develop this style?
My style is Blackwork, combining large black surfaces, sketch/trash elements, realism, and organic textures. It’s hard to define, but „surreal organic trash blackwork“ might fit. Many tattoo artists inspire me, including Borbás, Mozorov, Julian, and Moriel, to name a few. Music has a major impact on me, as well as folklore, legends, movies, real-life situations, and even the dark and whimsical aspects of the human mind. I draw inspiration from all areas of life and try to reflect that in my work.

Dark, surrealistic tattoos often carry deep symbolism. What do they typically represent for your clients, and is there a common meaning behind your work?
Every tattoo is a decision, a story, and an emotion. I love it when tattoos have meaning or symbolism. It’s an honor when a client trusts me with their story and allows me to create something for them. I can often relate to their stories, and it’s motivating to know that the person who enters the studio is not the same as the one who leaves – not just because they have new ink, but because something inside them has changed.

How do you approach designing your unique pieces, and what is your creative process like?
First, I gather as much information as possible about what and why the client wants a specific design. This helps me dive deeper into its symbolism and be more creative. It helps if the client points out which of my works they like, ensuring we create something we both love. I’m not the kind of artist who sends sketches days before the appointment, but I still manage to match the client’s expectations 90% of the time.

Is there a particular tattoo you’ve created that holds special meaning to you? What makes it memorable?
It’s impossible to choose one. Every tattoo has its own beauty and technical challenges. Each piece is close to my heart.

Do you have any exciting plans, upcoming projects, or collaborations you’d like to share?
I don’t have grand ambitions – I simply want to create larger, more complex tattoos. I’m not seeking fame; my goal is to be a stable tattoo artist who produces timeless work. Lately, I feel like things have been moving faster. Many new colleagues have reached out, and I’ve formed new connections and friendships. Several magazines have featured my work, including a Brazilian tattoo book, bringing even more opportunities and acquaintances. I haven’t planned to attend conventions this year, nor have I arranged any collaborations – but I’m open to it. If anyone is interested in collaborating, feel free to reach out.

Tattooing is an ever-evolving art form. How do you stay inspired and continue growing as an artist?
For me, inspiration is not something I actively chase – it finds me in the details of everyday life, music, fleeting moments of emotion, and the stories people bring to me. I’ve always been drawn to raw expression, whether through graffiti in my early years, the intensity of music, or the movement of dance. These elements shaped the way I see and feel the world, and they naturally spill into my work. Tattooing is not just about technical skill; it’s about constantly challenging myself, stepping outside of my comfort zone, and exploring how I can refine my visual language. I stay inspired by immersing myself in different forms of art-folklore, cinema, textures in nature, and the ever-shifting landscape of human emotion. At times, the industry can feel oversaturated with trends and social media-driven content, but I choose to focus on authenticity. I don’t create just to stay relevant – I create because I feel the need to. My goal is to produce work that stands the test of time, both technically and emotionally. Growth, for me, is a balance between technical mastery and personal evolution. Every new client, every new project brings a different energy, a new perspective. I don’t follow a rigid path; instead, I remain open – to conversations, to experiences, to unexpected inspirations. That openness is what keeps my work alive and evolving.

What are your hobbies or interests outside of tattooing and art?
My interests have always been tied to movement, rhythm, and raw expression. Before tattooing became my main focus, I spent years practicing karate, Latin dance, and breakdancing – each of these disciplines shaped my sense of rhythm, flow, and control, which now translate into my tattoo work. Even though I don’t actively practice them as much anymore, that sense of movement still influences how I approach composition and balance in my designs. Music has always been a huge part of my life – not just as background noise but as a source of energy and emotion. Growing up during the Nu-Metal era exposed me to a culture that questioned norms and embraced individuality. That mindset has stuck with me, fueling both my creative work and my way of thinking. I also have a deep appreciation for storytelling in different forms – whether through movies, folklore, or personal experiences. Stories shape us, and I find a lot of inspiration in the way people express their struggles, dreams, and transformations. Even outside of tattooing, I’m always searching for ways to create, to evolve, and to experience the world through different perspectives. It’s not about separating work from life – it’s about allowing everything I do to feed into my creative process in one way or another.